FAQ About Editing Services
I frequently get asked about our editing services so I’m reposting these FAQ’s, updated for 2020.
Can you please send me the names and clips of your editors?
Eventually, yes. But first we’ll talk about your vision so I can determine which editor’s sensibility best fits your film.
Then we’ll have a three-way conference call with the editor so you can feel out whether it’s a good match. Fit is so important to me that it comes before credentials. I’ll send resumes, clips, and testimonials after our three-way call so you can do your due diligence.
What makes your editing services different than just hiring an editor?
Two things. First, you’re getting the skills of a talented editor and an experienced story consultant (that’s me) for the price of one.
Second, I’ve trained my (already accomplished) editors in how to adapt screening writing principles to non-fiction films (see article here). These techniques make documentaries as dramatic as narrative films. They’ve informed many of our award-winning films, including Sundance winner The Russian Woodpecker, Emmy-nominee The Future Starts Here, and HBO’s Fifty Children.
How much does editing cost?
That depends on the length of the edit. Our rates are competitive. For low-budget productions, I’ve developed a special Accelerated Post program to edit your film in just ten weeks.
What’s your post-production workflow?
We follow the industry’s key stages of post-production: Assembly Cut, Rough Cut, Fine Cut, Locked Picture. Logging and editing an Assembly Cut is like collecting the prettiest pebbles on the beach. Editing the Rough Cut involves arranging the pebbles into a preliminary design, or structure. In the Fine Cut and Locked Picture, micro-editing of scenes and transitions perfects the “pebble art”.
Normally Assembly and Rough Cuts can take months to edit, but we have techniques to accelerate the process.
Do I need to provide a script?
No, but a script, treatment and transcripts are welcomed. Before we enter each cut, we’ll work with you to prioritize the 5-15 specific, editorial tasks needed to complete the cut.
How much creative control to I retain?
One hundred percent. We’ll work hard to understand your vision and offer creative ways to execute it. You always have final say, final cut.
Can you tell me how long it will take to edit my film?
We can give a good estimate, but ultimately only you can truly say when your documentary is done. And only you can decide on important variables that are outside of our control, such as how additional pickup shooting, or when delivery of music and graphics.
Is the editor employed by me?
No. Our editors work for New Doc Editing, and they are contracted not to accept employment from directors to whom they’ve been introduced. Business-related questions should be directed to me so I can make sure you’re satisfied at every stage of post-production. Also, pre-payment is required. You can read more than 130 testimonials from very happy directors and producers here.
How often can I work with my editor?
As often as you’d like. These days, location is no longer a barrier to working with a talented editor, so we encourage frequent collaboration by phone, Skype and email. Most of our editing collaborations are remote. Currently we have five experienced editors in New York, San Francisco, Portland, and Eugene, OR. Visit in person if you like!
Where does story consulting come in?
For every week you hire our editor, you get one hour of my own story consulting, free of charge. Generally, these hours accumulate so that after key cuts are complete, I review the cut and deliver notes. We’ll also gather on a conference call to discuss the cut.
If you have more questions, please email me!
